On Wednesday, June 25, my uncle and I conveyed to Taylor Wimpey's shunned The Denizen development on Golden Lane two camp chairs and a folding camp cot, together with some scientific mechanisms of greater weight and intricacy. These we placed in the cellar cinema during the day, and planned to return in the evening for our first vigil. We had acquired keys and were able to lock up the cinema, so were prepared to leave our expensive and delicate apparatus - which we had obtained secretly and at great cost - as many days as our vigils might be protracted. It was our design to sit up together till very late, and then watch singly till dawn in two-hour stretches, myself first and then my companion; the inactive member resting on the cot.
"Death, death, death," the heart of The Denizen beats proudly. "Long years—" he sighs. "Again you found me." "Here," she murmurs, "sleeping; on a balcony reading; laughing, rolling marbles in the games room. Here we left our lives—" Stooping, their light lifts the lids upon my eyes. "Death! Death! Death!" the pulse of The Denizen beats wildly. Waking, I cry "Oh, so this your life within? It's a living death."