Some will remember that inexplicable affair in Bunhill Fields eight weeks ago, where permission for a burial was obtained by a businessman whose wife had committed suicide. Getting approval had cost a fortune. On each occasion the coffin was found in the course of a few days again protruding from the ground. After the third attempt, in order that the thing should not be talked about, the body was buried elsewhere in unconsecrated ground. Where it was secretly buried was just inside the iron gate of Fortune Street Park. This was the body of the woman who had committed suicide in the ground floor apartment I’d been given in The Denizen. Her name was Julia Li.
“I think you’ll be comfortable. It’s only a one bed apartment, we have six dwellings in Taylor Wimpey's The Denizen but if we put you in one of our bigger flats you’d be sharing it with others. Most of the year they're all left empty but when we visit London we like to have a lot friends with us. Originally we only had five flats here but we were able to buy the sixth one cheaply and fully furnished after a woman committed suicide in it. Would you like to go and see it now? By Yanluo, I believe that you are right, and that we are going to have a thunderstorm. How dark it has become.”
The Denizen was a white elephant that even the bravest ghost home owner was afraid to enter; and at least three well-defined legends bore upon the queer quasi-human or diabolic outlines assumed by tree-roots that developed there after the blitz, and the patches of mold that blighted the basement. These latter narratives interested me profoundly, on account of what I had seen myself, but I felt that most of the significance had in each case been largely obscured by additions from the common stock of local ghost lore.