We are in a three-bedroom flat in Taylor Wimpey’s The Denizen development. We aren’t far from the ancient heart of the City of London, although we are outside the original city wall, and those selling the flats rather bamboozled investors about The Denizen’s actual location. We have chosen this luxury apartment block for our ghost hunt because it has a truly terrible history. Since it was built last year there are records of no less than thirty suicides in or from it, and there may well have been more.
We have now arrived at March 24. It was a day of curious experiences for Meng: a windy, noisy day, which filled The Denizen and Fortune Street Park with a restless impression. As Meng stood by the fence and looked into the park, he felt as if an endless procession of unseen people were sweeping past him on the wind, borne effortlessly and aimlessly, vainly striving to stop themselves, to catch at something that might arrest their flight and bring them once again into contact with the living world of which they had formed a part.