I was dead. I should not have been walking through Fortune Street Park and across Golden Lane. Drawn to Taylor Wimpey's luxury apartment block The Denizen by the siren song of Plague Pit Annie. I should have been in the underworld preparing for my next incarnation, not being lured to an investment flat I'd bought but never seen. I was dead and I had no use for any of my worldly possessions. But the siren song of Plague Pit Annie drew me through the entrance of The Denizen and up the stairs to my apartment. I'd never collected the keys to this flat and I didn't need them now. The concierge didn't see my long fingers nails and longer hair as I passed right through him. The concierge didn't see me at all. Plague Pit Annie knew I was close by and drew me in with her song. She greeted me, informed me I was to take her place in my apartment, and then she disappeared into the medieval plague pit beneath the building. Now for all of eternity I am damned to reside in an investment apartment I'd bought off-plan sight unseen.
Tag: plague pit
I bought a luxury apartment in Taylor Wimpey’s The Denizen but I was forced to abandon it. When I moved in most of the other flats were empty. The concierge told me more than fifty percent of those who’d bought into this investment block hadn’t even bothered to pick up their keys. There were 99 flats in the development but mine was the only one with a live in owner. Despite being surrounded by ghost homes I regularly heard footsteps in the corridor leading to my apartment. Whenever I went to investigate no one was there. At times I heard people whispering in Middle English, talking as if they still inhabited a London that had existed hundreds of years ago. Shadows and inexplicable movements appeared in my peripheral vision. I was returning to my flat one night when something flashed before me in the hallway, then disappeared. It was gone in a second but it was the shadow of a woman wearing a long old-fashioned dress. That’s when I moved out. I could stand it no longer.
As I returned from round the back of the Jewin Welsh Church which abuts part of the west side of The Denizen, I caught the hooning whistling of Chan's luxury apartment, coming down strangely through the stillness of the night. It had a queer note in it, low and constant, queerly meditative. Once I'd climbed onto the balcony I was able to see the floor in the middle of the living room was puckered upward in the centre into a strange soft-looking mound, parted at the top into an ever changing hole, that pulsated to that great, gentle hooning.
I have been spending the last few weeks at The Denizen, a luxury apartment block built by Taylor Wimpey in Golden Lane, just inside the border between the City of London and Islington. I got an email about a month ago from a Mr. Jason Chan, who it seemed had bought an investment property in the building, and on staying in it for a few days while holidaying in London, found that he had purchased a very peculiar piece of real estate. His flat in The Denizen has got a most infernal whistling in it, sort of haunting it. The thing starts any time, you never know when, and it goes on until it frightens you. It's not ordinary whistling and it isn't the wind. Wait till you hear it.
"Then there is The Denizen," said Meagle, "full of luxury apartments available at absurdly low rents and nobody will take them. It has taken toll of at least one life of every family that has lived there - however short the time - and concierge after concierge has died there. The last caretaker died just a few weeks ago."
We are in a three-bedroom flat in Taylor Wimpey’s The Denizen development. We aren’t far from the ancient heart of the City of London, although we are outside the original city wall, and those selling the flats rather bamboozled investors about The Denizen’s actual location. We have chosen this luxury apartment block for our ghost hunt because it has a truly terrible history. Since it was built last year there are records of no less than thirty suicides in or from it, and there may well have been more.
We have now arrived at March 24. It was a day of curious experiences for Meng: a windy, noisy day, which filled The Denizen and Fortune Street Park with a restless impression. As Meng stood by the fence and looked into the park, he felt as if an endless procession of unseen people were sweeping past him on the wind, borne effortlessly and aimlessly, vainly striving to stop themselves, to catch at something that might arrest their flight and bring them once again into contact with the living world of which they had formed a part.
The history of the site, opening amidst a maze of dates, revealed no trace of the sinister immediately after its use for a plague pit. The Denizen lies in the ward of Cripplegate and in the 1660s the Great Plague of London killed nearly eight thousand of the parish's inhabitants; but not one of those who lived or worked in the brothel above the ancient Golden Lane plague pit fell victim to the black death during this dreadful outbreak. The site was outside the original City of London wall and for hundreds of years had been notorious for both its poverty and its brothels. Those thrown in the plague pit came from the great mass of the lumpen proletariat in the area, and it seemed possible the spirits of this 'low end population' were very particular about who they wanted living or working on this piece of land. They didn’t seem to mind the low ranking coppers who moved into Bernard Morgan House in the nineteen-sixties, and these included members of the notoriously corrupt drug squad. The spirits were in two minds about what was going on when nurses moved in and mingled with the police. Something strange must be noted. No woman who lived in Bernard Morgan House ever managed a live birth, those who became pregnant had only still-born children. And according to the records, when brothels stood there no child was born alive to any of the women who worked in them for hundreds of years.