I bought a luxury apartment in Taylor Wimpey’s The Denizen but I was forced to abandon it. When I moved in most of the other flats were empty. The concierge told me more than fifty percent of those who’d bought into this investment block hadn’t even bothered to pick up their keys. There were 99 flats in the development but mine was the only one with a live in owner. Despite being surrounded by ghost homes I regularly heard footsteps in the corridor leading to my apartment. Whenever I went to investigate no one was there. At times I heard people whispering in Middle English, talking as if they still inhabited a London that had existed hundreds of years ago. Shadows and inexplicable movements appeared in my peripheral vision. I was returning to my flat one night when something flashed before me in the hallway, then disappeared. It was gone in a second but it was the shadow of a woman wearing a long old-fashioned dress. That’s when I moved out. I could stand it no longer.